Help Me Pay Tribute to a Modern Master

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One of the biggest and bestest things to happen to me last year was having the chance to contribute my story “Husks” to Silent Motorist Media‘s Mannequin: Tales of Wood Made Flesh, which then went onto be named “Best Multi-Author Anthology” of 2019 by my beloved Rue Morgue Magazine.

So naturally, when the editor and publisher of that book, Justin Burnett, asked me if I’d like to contribute to his latest project, I had to say yes. Good thing, too, because considering that said project is a literary tribute to Matthew M. Bartlett, if I wasn’t invited, you can bet your ass I’d have done my damnedest to weasel my way onto that TOC.

Bartlett is quite simply one of the very best, most twisted, and most surreal practitioners of the arcane and macabre working today. I’m hardly alone in naming him a personal favorite contemporary author. What’s more, Bartlett is also an incredibly friendly, down-to-earth, stand-up guy who I’ve had the good fortune of hanging out with a handful of times at NecronomiCon Providence and StokerCon. No living creator deserves to be celebrated more than Matthew Bartlett. There may be many who deserve it just as much, but none who deserve it more.

Titled Hymns of Abomination: Secret Songs of Leeds, this upcoming anthology features brand new works by myself, Nathan Ballingrud, John Langan, Brian Evenson, Gemma Files, S.P. Miskowski, B.R. Yeager, Jonathan Raab, Tom Breen, Joseph Pastula, Joanna Parypinski, Farah Rose Smith, Scott R Jones, Betty Rocksteady, Christine Morgan, Kristine Ong Muslim, Christopher Slatsky, Donyae Coles, S.L. Edwards, John Linwood Grant, Robert S. Wilson, Jon Padgett, Sean M. Thompson, and Brian O’Connell.

Hymns of Abomination is currently being crowdfunding on Kickstarter, and to give you an idea of just how psyched this project has got people, it smashed its initial funding goal within 24 hours of the campaign going live. Every penny donated from here on out will go towards making the anthology even better through a number of tantalizing stretch goals.

Contribute today to pre-order a copy for yourself. In doing so, you’ll be helping to pay tribute to a truly one-of-a-kind creator.

Behold the Undead of Dracula is Now Available!

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Halloween is fast approaching. What better way to spend the coming weeks than delving deep into a macabre universe of classic movie monsters… with a twist? Lucky you, Behold the Undead of Dracula: Lurid Tales of Cinematic Gothic Horror is now available!

An affectionate tribute to the crumbling castles and lysergic psychedelia of ’60s and ’70s creature features, this new anthology from Muzzleland Press features the kind of bawdy, bloody tales that would make Peter Cushing, Roger Corman, and Mario Bava proud, but filtered through a modern lens. From straightforward homage to postmodern revisionism and self-aware metafiction, the stories in Behold the Undead of Dracula read like descriptions of lost Hammer Pictures productions that never existed, couldn’t have existed, should have existed.

My own contribution, “Diabolus in Musica,” is a riff on Dennis Wheatley’s devil-worship potboilers. It features a b-movie music composer who finds himself the victim of hellish visions and satanic machinations while trying to finish his latest film score. Check out the full table of contents down below for a taste of what the rest of my creepy compatriots have in store for readers.

Behold the Undead of Dracula: Lurid Tales of Cinematic Gothic Horror is now available from Amazon, Barnes & Noble, and the Muzzleland Press bookstore. Buy it so I don’t starve!

“Go to the Devil” by Matthew M. Bartlett

“Over the Violets There That Lie” by Gwendolyn Kiste

“George Strait and the Black Orchard Grimoire” by Mer Whinery

“Vengeance of the Blood Princess” by Dominique Lamssies

“Diabolus in Musica” by William Tea

“Taste of Fear in the Night (European Release Title: Curse of the Mountain Witches)” by Tom Breen

“You Should Smile More: The Blood Coven of Arkana” by Heather L. Levy

“Mina’s Castle” by Sean M. Thompson

“Cleaver Castle of Carnage Presents: The Coven Strikes Back” by Christa Carmen

“The Bloody Cask of Rasputin” by Thomas C. Mavroudis

“The Filthy Creation of Frankenstein” by Gemma Files

Cover/TOC Reveal: Behold the Undead of Dracula

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Few things thrill me more than getting to announce the publication of one of my stories in an upcoming anthology, except for maybe getting to announce the publication of one of my stories in an upcoming anthology… that has cover art by Trevor Henderson!

As if that wasn’t thrilling enough, the anthology in question just so happens to be a tribute to the colorful carnage of Roger Corman’s Poe pictures, the psychedelic psychosis of Mario Bava, and the grisly, gloomy gothicism of Hammer Film Productions.

Edited by Jonathan Raab and published by Muzzleland Press, Behold the Undead of Dracula: Lurid Tales of Cinematic Gothic Horror will debut at NecromiCon Providence 2019 in August. Paperback and ebook copies will be available online shortly thereafter. In the meantime, sink your fangs into the table of contents below:

“Go to the Devil” by Matthew M. Bartlett

“Over the Violets There That Lie” by Gwendolyn Kiste

“George Strait and the Black Orchard Grimoire” by Mer Whinery

“Vengeance of the Blood Princess” by Dominique Lamssies

“Diabolus in Musica” by William Tea

“Taste of Fear in the Night (European Release Title: Curse of the Mountain Witches)” by Tom Breen

“You Should Smile More: The Blood Coven of Arkana” by Heather L. Levy

“Mina’s Castle” by Sean M. Thompson

“Cleaver Castle of Carnage Presents: The Coven Strikes Back” by Christa Carmen

“The Bloody Cask of Rasputin” by Thomas C. Mavroudis

“The Filthy Creation of Frankenstein” by Gemma Files

Cover art by Trevor Henderson

Talking Splatterhouse on the Spooklights Podcast

 

Don’t “BE GARBAGE OF CESSPOOL HA HA HA.” Listen to the latest episode of Spooklights instead!

The new episode of Muzzleland Press‘ podcast is up now, and co-hosts Jonathan Raab and Tom Breen were gracious enough to have me on as a guest so I could ramble on incoherently about one of my all-time favorite video game series: Splatterhouse!

We also talked a little about my meager bibliography, the inspiration for my contribution to Muzzleland’s latest anthology Terror in 16-Bits (available now in paperbook and ebook format through Amazon or the Muzzleland Press webstore, nudge nudge), our experiences at NecronomiCon Providence, and how A Nightmare on Elm Street 4 is so woefully underrated.

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